1973, born in Jerusalem
Assaf Shoshan is a photographer and video artist. He examines a world in which boundaries endlessly appear and disappear, a world where time is experienced differently. His portraits and landscapes reveal an enigmatic atmosphere shrouded in surreal mystery. Between reality and fiction, Shoshan’s work has poetic scope, contemplative yet also intensely political. It explores a fundamental human dimension in the quest for identity, and the feelings of exile and belonging.
Presentation of the project “10 ans de solitude”
In the autumn of 2010, thousands of “sans papiers” (illegal or undocumented immigrants) demonstrated in France’s capital, hoping to have their situation resolved. This extraordinary mobilisation took the name of “the undocumented workers’ movement”. Assaf Shoshan took more than 70 portraits of men and women, all identified only by their initials. From the perspective of both the process and the result, this series brings to mind the desperately desired “identity papers” with their official photos intended to “stabilise” their identity.
Ten years after he first met these asylum seekers from Mali and Senegal in a squat in Paris’ 18th arrondissement, Shoshan decided to find out what had happened to each of them. This is the theme of 10 Years of Solitude, the new project he is presenting here.
With this mission, he hoped to take their portraits with the same constraints, but ten years later, to illustrate a transformation, capture the mobility of life and the time that passes, capture what has changed for them and whether or not they have managed to obtain their papers. He seeks to capture the traces of this struggle. Since Shoshan only has the initials of the asylum seekers that he photographed, his quest proves to be long and uncertain.
“How do you photograph people in hiding? That question intrigued Shoshan and ultimately led him to start this project. How do you tell the story of a woman or a man without ever meeting their gaze? The answer lies in the details”.
This project is very close to his heart… it is long, delicate and perilous. Assaf Shoshan raises the question of – and gropes for the answer to – his role as a photographer and his role as a human being.
2019 Hermès: “No Lifeguard On Duty”, Cité des métiers, Pantin, France
2018 Kanal – Centre Pompidou: “Identity and Alterity: Shifting Representations”, Brussels, Belgium
2017 La Frontiera: “Standing at The Front”, Paris, France
2016 ParisPhoto: “The Pencil of Culture” 10 ans d’acquisitions au Centre Pompidou, Paris, France
2016 Villa Médicis: “Melancholia”, Rome, Italy
2015 S.a.L.E Docks, Venice Biennale: “The Nationless Pavilion” Venice, Italy
2018 Bernard Blistène, Kanal-Centre Pompidou, exhibition catalogue, Brussels, Kanal, Brussels, Fonds Mercator,
2016 Clément Chéroux, Karolina Ziebinska-Lewandowska, The Pencil of Culture – 10 ans d’acquisitions de photographies au Centre Pompidou, exhibition catalogue, Paris, Le Grand Palais (7 – 10 November 2016), Trézélan, Filigranes Éditions
2013 Laurent Vidal, Gil Pasternak, Ellie Armon Azoulay, in Assaf Shoshan – Territoires de l’attente, Montreuil sur Brèche, Diaphane éditions
2006 Dennis Cooper, in Assaf Shoshan, Motsa, Besançon, Le Pavé Dans La Mare